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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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George Foletta

George Foletta

George Foletta

George Foletta,

Sir William Dargie CBE

Portrait, oil on canvas

Collection: National Portrait Gallery
Gift of the Estate of Alice Myra Foletta 2006

Twelve portraits of finalists for the Little Darlings Youth Portrait Prize 2023

Little Darlings Youth Portrait Prize 2023

Previous exhibition, 2023

Little Darlings is for primary and secondary students, with four separate categories across Kindergarten to Year 12. Responding to the theme ‘Me and my place’, students painted, drew, photographed, printed or combined all of these to make their portrait.

George Mealmaker

George Mealmaker

George Mealmaker (1768–1808), convict and activist, became involved in radical politics in his native Dundee in the 1780s.

1 portrait in the collection

Leah King-Smith

Contributing artists

Born: 1957, Gympie, QLD
Works: Brisbane

David Marr, 2011 by Nicholas Harding

Through thick and thin

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.

Nicholas Harding, 2016 Mark Mohell

Nicholas Harding

Explore The Popular Pet Show

Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality.

Little Darlings Youth Portrait Prize finalists

Little Darlings Youth Portrait Prize 2022

Previous exhibition, 2022

Little Darlings is for primary and secondary students, with four separate categories across Kindergarten to Year 12. Responding to the theme ‘identity’, students painted, drew, photographed, printed or combined all of these to make their portrait.

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Australian Tapestry Workshop

The Australian Tapestry Workshop (formerly the Victorian Tapestry Workshop) was established in 1976, following two years of planning and research on the part of its founding patrons, Dame Elisabeth Murdoch and Lady Joyce Delacombe.

2 portraits in the collection

Marilyn Ball, Albatross, 2018 (detail) by Linde Ivimey

So Fine

Contemporary women artists make Australian history

Previous exhibition, 2018

This exhibition features new works from ten women artists reinterpreting and reimagining elements of Australian history, enriching the contemporary narrative around Australia’s history and biography, reflecting the tradition of storytelling in our country.

Miss Alesandra, 2010

The more things change

Magazine article by Dr Sarah Engledow, 2011

National Photographic Portrait Prize curator, Sarah Engledow, finds reward in a difficult task and ultimately uncovers the essence of portraiture.

Johnny O'Keefe

Making Portraits

Five Years of National Portrait Gallery Commissions

Previous exhibition, 2004

The considered matching of artist to subject has produced an amazing collection of unique and original works in the permanent collection of the National Portrait Gallery

David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits

Exhibition essay

General content

Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

Eileen Dunne in The Hospital for Sick Children, 1940

The incomparable Beaton

Magazine article by Dr Sarah Engledow, 2005

To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).

Andy Thomas

Uncommon Australians

The vision of Gordon and Marilyn Darling

Previous exhibition, 2015

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

Self portrait, 1645

The considered life

Magazine article by Andrew Sayers AM, 2010

Andrew Sayers asks whether a portrait can truly be the examination of a life.

Clifton Pugh painting in the studio

Painting mates

Magazine article by Michael Desmond, 2011

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency